B. J. O. Nordfeldt etchings,
1911-1912
By Nordfeldt, Bror Julius Olsson, 1878-1955
Finding Aid for the
Collection at the Chicago History Museum, Research Center
By Rebecca Garnaat, 2001; rev. by D.
Rinder, 2008
© Copyright 2008, Chicago
Historical Society, 1601 North Clark Street, Chicago, IL 60614-6038
----------------------------------------------------------------------------------------------------------------
Main entry: Nordfeldt,
Bror Julius Olsson, 1878-1955
Title:
B. J. O. Nordfeldt etchings [graphic]
Inclusive dates: 1911-1912
Size: 38 prints : etching; 11 x 14 in. and smaller.
Accession #: 1972.0008-1972.0045
Call #: 1972.0008 PSPC
Restriction: Advance appointment with special permission required
to view this material.
Description of the collection:
Etchings of Chicago
cityscapes, people and street scenes, workers and industrial sites created by
the Swedish American artist Bror Julius Olsson Nordfeldt while he resided in
Chicago, 1911-1912. Topics include the Field
Columbian Museum building (which later housed the Museum of Science and
Industry), far South Side industrial areas, Illinois Steel Company, a Bessemer
Converter, open-hearth furnace, grain elevators; Illinois and Michigan Canal,
Calumet River and Chicago River shipping and bridges; Clark Street, Michigan
Avenue, the Monroe Building on corner of Michigan Ave. and Monroe St. under
construction, Montgomery Ward Tower, The Blackstone, State Street; Logan
Monument; Pasquale Scala; Little Italy;
Ten-Cent Lodging House; Woodlawn.
Brief biography:
Bror Julius Olsson Nordfeldt
was born in Tullstrop, Skåne, in the
South of Sweden in 1878. He adopted his
mothers maiden name, Nordfeldt, around 1903 to avoid being confused with Julius
Olsson, another painter known throughout Europe and America. In 1891, at the age of thirteen, he
immigrated to Chicago with his family.
In his first few years in the United States, he worked as a printers
devil and also as a compositor for a Chicago Swedish newspaper. Around the age of 20 he began formal art
training at the Art Institute of Chicago where he studied under the direction
of Frederick Richardson. While studying
at the Art Institute, he met Albert Herter.
In 1899, Nordfeldt became Herter's assistant and accompanied him to Long
Island to work on a mural for the 1900 Paris Exposition. He then traveled on to Paris alone to see the
mural in place.
In Paris, Nordfeldt studied
at Académie Julien for about two
weeks before becoming disenchanted with the school's focus on drawing, whereas
his ambition was to paint. In order to
extend his stay in Paris Nordfeldt became a private art instructor. But it would be less than one year before he
left Paris and traveled to England to learn wood-block printing in the Japanese
manner at the Oxford Extension College at Reading. There he studied under Frank Morley Fletcher
and produced splendid prints of landscapes, cityscapes and industrial scenes.
Nordfeldt was recognized very
early into the 20th Century as a master etcher.
He won several awards for his etchings.
His romantic renderings of city architecture in a soft-line technique
showed the influence of James Whistler in a style made popular by Joseph
Pennell. Though Nordfeldt's enthusiasm was for painting, it was the sale of his
etchings that provided his income.
Travel and exposure helped
influence Nordfeldt's paintings. His
early works show muted colors and impressionistic pictures. After traveling Europe, he shifted to a
brighter color palette, with contours strongly outlined, showing the influence
of Fauvism. His city scenes of Chicago,
in fact, were intended to reflect the surging energy found in the city
itself. Opinions regarding Nordfeldt's
paintings varied, however; at the time (1911-1912) his work was commonly
labeled progressive or radical.
During World War I Nordfeldt
worked as the assistant district camoufleur for the United States Shipping
Board in San Francisco, camouflaging merchant ships. Afterwards, Nordfeldt spent twenty years in
New Mexico. There he continued to paint,
taking advantage of his surroundings and experimenting with color and
composition. In 1925 he put away his
etching needle and focused entirely on painting. In 1934 he began to create lithographs as
part of the United States Treasury's Public Works Administration project. He continued to teach, paint, and travel over
the next twenty years. He died of a
heart attack in Henderson, Texas, on April 21, 1955.
For Further Reading:
1. Coke, Van Deren. Nordfeldt
the Painter. (Albuquerque; University of New Mexico Press, 1972).
2. Donovan, Fiona and Susan
Brown. The Woodblock Prints of B. J. O. Nordfeldt. (Minneapolis;
University Art Museum (exhibition catalog), University of Minnesota, 1991).
Provenance
statement:
Gift
of Mr. And Mrs. Leonard R. Olson, on behalf of Mrs. B.J.O. Nordfeldt and the
Olson family (1972.0008-1972.0045).
Storage designation:
PHspec PL1972.0008+ (CS.0V.J1.S2)
1 box: 16 1/2 x 20 1/2 in.
List of online catalog headings:
Nordfeldt, Bror Julius
Olsson, 1878-1955
Field Columbian Museum
Tower Building
Blackstone Hotel (Chicago,
Ill.)
Buildings--Illinois--Chicago--1910-1919.
Building
construction--Illinois--Chicago--1910-1919.
Steel
industry--Illinois--Chicago.
Swedish
Americans--Illinois--Chicago.
Working
class--Illinois--Chicago--20th century.
Chicago River (Ill.)--1910-1919.
Chicago (Ill.)--1910-1919.
Etchings.
Cityscapes.
Container list of box and folder numbers and titles:
Box 1
Folder 1
Five
O'clock, Chicago 1911 (PD1972.20)
Field
Museum No. 1, Chicago 1911 (PD1972.15)
Coal
Shutes [chutes], Chicago 1911 (PD1972.14)
Clark
Street, Chicago 1911 (PD1972.13)
Calumet
River, South Deering, Chicago 1911 (PD1972.12)
Bubbly
Creek, Chicago 1911 (PD1972.11)
Bridge
Builders, Chicago 1912 (PD1972.10)
Bessemer
Converter, Chicago 1911 (PD1972.9)
Barges
on the North Branch, Chicago, 1912 (PD1972.8)
Field
Museum No. 2, Chicago 1912 (PD1972.16)
Entrance
Field Museum, Chicago 1912 (PD1972.17)
Gas
Tank Town, Chicago 1911 (PD1972.18)
Gossips, Chicago 1912
(PD1972.19)
Folder 2
State Street, Chicago 1912
(PD1972.31)
Illinois and Michigan Canal,
Chicago 1912 (PD1972.22)
Pasquale Scala, Chicago 1912
(PD1972.29)
Smoke, South Deering, Chicago
1911 (PD1972.30)
Park Row, Chicago 1912
(PD1972.28)
On the Calumet, Chicago 1912
(PD1972.27)
Metropolitan Elevated Bridge
1st St. (PD1972.25)
Logan Monument, Chicago 1912
(PD1972.24)
Little Italy, Chicago 1911
(PD1972.23)
Grain Elevators, South
Deering, 1911 (PD1972.21)
The Big Elevator, Chicago
1912 (PD1972.33)
Montgomery-Ward Tower, 1911
(PD1972.26)
The Blackstone, Chicago 1911
(PD1972.32)
Folder 3
Ten-Cent Lodging House,
Chicago 1912 (PD1972.41)
Woodlawn, Chicago 1911
(PD1972.45)
The Skeleton (view shows the
Monroe Bldg., southwest corner of Michigan Ave and Monroe St., under
construction) (PD1972.40)
Chicago 1911 (view is looking
northwest on Michigan Ave. from Jackson Blvd.) (PD1972.44)
Michigan Avenue, Chicago 1912
(PD1972.43)
Illinois Steel Co (PD1972.42)
The B. & O. Bridge
(PD1972.36)
The Open Hearth Furnace,
Chicago 1911 (PD1972.37)
The Two Kites, Chicago 1911
(PD1972.39)
The Coal Crusher (PD1972.34)
The Night Shift (location
unknown PD1972.38)
The Little Hub, Chicago 1911
(location unknown PD1972.35)